“The animal being that takes care of himself, a cat that licks itself. There is no build up of composition with studied proportions or balance as well- it is an image merely of a naked woman combing her hair. 3 These characteristics added to the depiction of the subject of the painting.Īs seen in the previous Dancer art piece, the natural image of a woman is portrayed, but in this case it is a woman combing her hair. He depended upon vivid colors and purposeful gestures in his paintings rather than precise lines. The pastels helped establish a simple in theme, but complex in structure, composition. ” Edgar Degas created “Woman Combing Her Hair” with pastels on a light green wove paper. His unusual perspectives and complex structures present in his artworks are also seen in his “Woman Combing her Hair. If a viewer were to take a few steps back from the painting, the image itself seems to fall into place and seems real and intricate. Order custom essay Edgar Degas Paintings Comparison and Analysis Although Edgar Degas ignored details, revealed brushstrokes and placed unblended colors side by side, he still created a very realistic image of the ballerinas. Edgar Degas’ goal was to create a simple yet appealing image to the eye. The ballerinas appear natural and spontaneous rather than having a build up of composition with well-studied proportions and balance. ” The vibrant colors, especially pink and green, are prominent in the painting and portray to the viewer a natural view of the ballerinas. The charm of these two pictures are abstract- consisting in rhythm of light and shade, color and movement.ĭegas uses oil on canvas for “Dancers, in Pink and Green. They have significant similarities in style, mostly in part because they both reflect Impressionist artistic details. “Dancers in Pink and Green” and “Woman Combing her Hair” are two of hundreds of Degas pieces. Both are very familiar in style, and in symbolism as well. His works, “Dancers, in Pink and Green” and “Woman Combing Her Hair” are two in particular pieces that are well-known and clearly depict the ‘Impressionist’ details of Degas. 2 He employs in his artwork unusual perspectives and complex formal structures. 1 As seen throughout many of his paintings, Degas consistently is seen to observe “laundresses, milliners and ballet dancers at work. Degas became known for his description of his subjects, which included depictions of ballet dancers and woman bathing which portrayed the ‘Impressionist’ label of experimental and vivid use of color. Edgar Degas was one of these ‘rebels’ and one of the most prominent members of the group. They were artists who were dissatisfied with Academic Art and opposed the Romantics idea that the main reason for art was to create emotional excitement for its viewers. Impressionist artists, including Claude Monet and Pierre-Auguste Renoir, ignored details, revealed their brushstrokes, and placed unblended colors next to each other throughout their artwork. The first Impressionist exhibitions were held in 1874, but at the time, it still was not recognized as a real art. Impressionism was one of the most important art movements in the nineteenth century and had great influences on Modern Art development. Marshall Poe is the founder and editor of the New Books Network.Edgar Degas has become known as one of the world’s most influential Impressionist, or Realist (the title he preferred), artists. Lee, Charles Sumner, Frederick Douglass, and Winnie Davis elaborated on these patterns and fostered public debate about the meanings of the war, Reconstruction, race, and gender. "Stonewall" Jackson set patterns for mourning culture and Civil War commemoration after 1865, public funerals for figures such as Robert E. Purcell shows how large-scale funerals for figures such as Henry Clay and Thomas J. Public mourning for military heroes, reformers, and politicians distilled political and social anxieties as the country coped with the aftermath of mass death and casualties. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. Spectacle of Grief: Public Funerals and Memory in the Civil War Era (UNC Press, 2022) examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities.